Forty-nine years after a York University class concert that never quite ended, Eric Cadesky on candlelight, breakage, and the world’s only ensemble that builds, plays, and tours its own glass instruments.
Polish artist and architect Natalia Romik speaks with Arcade about her exhibition Plague Crystals, now at Koffler Arts, and why fragile, translucent towers of crystal might hold what haunts us better than any stone monument.
A new exhibition at Berlin’s Topography of Terror Foundation explores through diaries, propaganda messaging, and personal artifacts how much Germans knew about the Holocaust while it was happening.
Approaching 80, the celebrated Belgrade-born artist insists with her new exhibition at Gropius Bau that "Now it is the right time to talk about eroticism."
The pioneering Toronto multidisciplinary artist speaks with filmmaker Egoyan about the thinking and creative process behind her latest work, As If by Chance..., and the two types of prejudice faced by elder artists.
A panel discussion on the uses and abuses of how urban dwellers think about their relationships with nature, patterns of gentrification in Toronto, and how people have been inhabiting spaces like the Don Valley much longer than people assume.
With her new exhibition, Glorious Catastrophe, Toronto artist Gillian Iles seeks out the paradoxes and possibilities in moments of extreme transformation.
Everything the wind blows on has decisions to make. The latest novel from Sarah Hall joins a growing conversation about non-human consciousness—and explores it with more joy, and more filth, than your average climate novel.
Toronto artist Kalmplex talks with curator David Liss about the inspirations behind his current exhibition at Koffler301 and his worries over the city losing its places of culture and connection.
